Saturday, September 14, 2013

Cafe Emjay with Alex Skovron

Our event at Café Emjay was so successful we’re doing it again. So get your calendar out and put a big red circle around SATURDAY NOVEMBER 16, 3pm – 6pm. Alex Skovron will be our feature reader, and as always, there’ll be plenty of open reading spots.

Because of the popularity of the event BOOKINGS ARE ESSENTIAL. So get in quick if you missed out last time.
Email Jules at Café Emjay to make your table booking: julie_ann_morman@hotmail.com
Closer to the event, if you’ve booked, the café will contact you with the opportunity to pre-order afternoon tea and drinks, which will be served on arrival to minimise noise during the readings.

Admission is $5 and there are always plenty of lucky door prizes.

Looking forward to seeing you there.
 November 16
3.00pm - 6.00pm
Café Emjay
1/46 Railway Ave
East Ringwood 3135
 
(Directly across the road from the East Ringwood railway station)
 
WRITE THAT DATE ON YOUR CALENDAR BEFORE YOU FORGET!
 
Alex Skovron is the author of five poetry collections, most recently Autographs, as well as a prose novella, The Poet. His work has appeared in numerous journals and anthologies in Australia and overseas. The many public readings he has given have included appearances in China, Serbia, India, Ireland, and on Norfolk Island. A selection of his poetry translated into French is published by PEN under the title The Attic. His New & Selected Poems is due from Puncher & Wattmann next year. A volume of short stories is also in preparation. Alex lives in Melbourne and works as a freelance book editor.
 
 
 
 

 

Sunday, August 18, 2013

Kristin Henry at Cafe Emjay August 2013

Thanks to everyone who came along to our inaugural event at Café Emjay and made the afternoon so awesome. Kristin had everyone spellbound and our open readers were wonderful. Thanks to everybody at Café Emjay for looking after us so well. You all rock! And thanks Dan Kerr for these fantastic photos.

Stay tuned for another event at the café soon ...






































 

Wednesday, July 24, 2013

Kristin Henry - Cafe Emjay booked out!

There has been overwhelming interest in the event at Cafe Emjay on Saturday August 17 featuring Kristin Henry! So much so the Cafe has started a waiting list - and that's after squishing chairs into every nook and cranny. The proprietors will be contacting people to confirm their booking by taking a deposit towards afternoon tea so they can prepare catering ahead of time. They are keen to keep disruption to a minimum during the readings.

So there you have it. If you've booked, contact the cafe on 9879 8835 to confirm your place. If you've missed out this time, don't worry, we'll be running another event in November.

Watch this space!

Saturday, July 20, 2013

Kristin Henry at Cafe Emjay

If you are intending to come along to Café Emjay in East Ringwood to hear Kristin Henry on August 17 YOU NEED TO BOOK. The café has had so much interest from the local community (!!!) that for catering purposes they are taking bookings. And it's filling up fast. See below for details and how to get there.

Hope to see you on the 17th 3pm - 5pm.

Thursday, June 13, 2013

Cafe Emjay Special Event


STOP PRESS
Stopping all Stations is choofing down the line to East Ringwood for a special event with

 

August 17
3.00pm - 5.00pm
Café Emjay
1/46 Railway Ave
East Ringwood 3135
Ph 9879 8835
(Directly across the road from the East Ringwood railway station)
 
WRITE THE DATE ON YOUR CALENDAR BEFORE YOU FORGET!
 
Kristin Henry is the author of 5 collections of poetry, two non-fiction books and, most recently, the verse novel All The Way Home, published by UWAP. Kristin doesn’t call herself a performance poet, but she loves delivering her words to a live audience. Sometimes there’s even a little singing involved. Kristin is a storyteller whose medium is verse. She writes both from experience and a wicked imagination.  Often her poetry is friendly and accessible, perhaps funny. But as the late Dorothy Porter noted, “Henry’s devious lyricism…is a timely reminder that poetry can be both fun and very deadly”.

Thursday, October 4, 2012

What's happening with Stopping all Stations?

Stopping all Stations is currently in recess.

A poem to enjoy in the meantime:

 Mark Tredinnick's winning poem in the 2012 Cardiff International Poetry Competition.

Margaret River Sestets
There's a continent between us now, taut
                                                    with distance. I'd rather lie in the poem of your hand,
but your hand's somewhere and I'm somewhere else, so I take the red road, instead, to Sheoak Drive.
The grasses thrum like a squadron of spitfires, a sound so palpable
I wait for it to come in a cloud across the early summer pastures,
                                                     but nothing's troubling them except a little light weather
                                                               and nothing's bothering the grey blueblood mare, either,
or the purple-hooded parrot at its post-pastoral repose, but me. The country between the road and the coast
has got busy clouding its mind these past five years with bad ideas – big ones, but no better for that –
                                                      yet still there are eucalypts that stand and bow their heads

And, in the offseason, drop seed cases fat as artillery shells
                                                      onto the recycled Cambrian geology, bombs almost big enough
to shelter in if things get rough at home. Still, the trees we don't call blackboys anymore hang out
along the fenceline, mobsters in grass skirts, black glasses (you know the routine),
weapons bulging; it's still the same old bad old days, the way they look at things.
                                        Walking west, past them, I eat around the bruises in a peach and toss
what's left of it for the hell of it to the parrot in its wired field. None of the boys turns a hair.
But when I cross the road and find a log to sit on and log this stuff
                                                                   on my phone, it takes a full ten seconds

For a troop of ants to storm my boots and find places under my jeans
                                          my jeans are meant to keep unfound. Because of the vines, I guess,
and the olives, the lavender and the limestone and the languid yellow light, they tell you it's like Provence here,
but that would ignore the jarrah and the marri, the black roos and the butcher birds,
                                                   the wattlebirds and white-faced herons, the nasal mutter
of the honeyeaters, the Australian tripthongs of the frogs in the pond, nights,
the black ducks in their black thongs, the throngs of roadside lizards.
Hell, I don't care what they call it – this is landscape that wants you for lunch.

My whole life an addiction to country, falling forever for places
                                             that were never going to be any good for me. We carry our countries
into the world with us and through it and sometimes out again. Undiscovered. Undisclosed.
Just the other day, for instance, I watched a whale
                                                     hump its country down the coast from Cape Naturaliste
to Smiths Beach, breaching and hopping the sky and waving, not drowning,
not by any means, breathing its longing out and taking my long looking back in.
Sometimes you eat the landscape back.
                                                     There's a place near here where every day

The day dies in the sea, and that night, the one
                                                      after the afternoon of the whale,
                                                                                           I turned and watched the moon rise full
from the Yallingup ridge, birth split from death by no time at all and a meagre 180 degrees. They'd told me
everything would be new this time, and this seemed a promising start.
                                                       But later on, the same stars came up, and in the soak, the same
banjo rehearsed the same songs, strings loose as a gossip's tongue. My life is a secret I'm sick of keeping.
Orion bends in the northeast to tighten his sandals. Nothing to say, nothing to show for his love-hungry hunt
through all time. Maybe the beginning begins in the morning,
                                       when the sun rolls the stone away in the garden, pulls on her shoes.
                                                                                            pulls up my socks and starts running.

Friday, April 6, 2012

Derek Mahon

Stopping all Stations is still on a break, but keep checking in for news about up and coming events later in the year.

Here is a poem by Derek Mahon I found in my travels recently. And here is an article about how Mahon based his poem on JG Farrrell's novel Trouble. Enjoy!

A Disused Shed in Co. Wexford  Derek Mahon

  Let them not forget us, the weak souls among the ­asphodels.
   -Seferis, Mythistorema

 for J. G. Farrell

Even now there are places where a thought might grow—
Peruvian mines, worked out and abandoned
To a slow clock of condensation,
An echo trapped for ever, and a flutter
Of wildflowers in the lift shaft,
Indian compounds where the wind dances
And a door bangs with diminished confidence,
Lime crevices behind rippling rainbarrels,
Dog corners for bone burials;
And in a disused shed in Co. Wexford, 

Deep in the grounds of a burnt out hotel,
Among the bathtubs and the washbasins
A thousand mushrooms crowd to a keyhole.
This is the one star in their firmament
Or frames a star within a star.
What should they do there but desire ?
So many days beyond the rhododendrons
With the world waltzing in its bowl of cloud,
They have learnt patience and silence
Listening to the rooks querulous in the high wood.

They have been waiting for us in a foetor
Of vegetable sweat since civil war days,
Since the gravel crunching, interminable departure
Of the expropriated mycologist.
He never came back, and light since then
Is a keyhole rusting gently after rain.
Spiders have spun, flies dusted to mildew
And once a day, perhaps, they have heard something—
A trickle of masonry, a shout from the blue
Or a lorry changing gear at the end of the lane.

There have been deaths, the pale flesh flaking
Into the earth that nourished it;
And nightmares, born of these and the grim
Dominion of stale air and rank moisture.
Those nearest the door grow strong—
'Elbow room! Elbow room!'
The rest, dim in a twilight of crumbling
Utensils and broken flower pots, groaning
For their deliverance, have been so long
Expectant that there is left only the posture.

A half century, without visitors, in the dark—
Poor preparation for the cracking lock
And creak of hinges. Magi, moonmen,
Powdery prisoners of the old regime,
Web throated, stalked like triffids, racked by drought
And insomnia, only the ghost of a scream
At the flash bulb firing squad we wake them with
Shows there is life yet in their feverish forms.
Grown beyond nature now, soft food for worms,
They lift frail heads in gravity and good faith.

They are begging us, you see, in their wordless way,
To do something, to speak on their behalf
Or at least not to close the door again.
Lost people of Treblinka and Pompeii!
'Save us, save us,' they seem to say,
'Let the god not abandon us
Who have come so far in darkness and in pain.
We too had our lives to live.
You with your light meter and relaxed itinerary,
Let not our naive labours have been in vain!'